SEARCH RESULTS FOR: Macy Gray
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(Vocals, b. 1970) Born Natalie McIntyre in Ohio, Macy Gray is a modern soul singer whose voice is distinctive and demeanor often startlingly original. In 1998, early hits ‘Why Didn’t You Call Me ?’ and ‘I’ve Committed Murder’ started to cause minor ripples in her home country, but by the following year her star was well in ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Tenor saxophone, 1921–55) Wardell Gray died in mysterious, drug-related circumstances without fulfilling his immense potential. His control and invention at fast tempos and fluent, swinging style on the tenor saxophone adapted readily to both swing and bebop settings, while his ballad playing was strong in both emotion and tonal warmth. His sadly underweight recorded legacy is largely ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bandleader, 1884–1967) Otto Gray, leader of the first truly professional western band The Oklahoma Cowboys, is often given only perfunctory attention in country-music histories. But his group was both popular and significant – and introduced hundreds of future musicians, particularly in the Midwest and Northeast, to country music. Gray, an astute businessman from Stillwater, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Singer-songwriter, b. 1968) Born near Manchester, the Dylanesque Gray toiled throughout the 1990s, while seemingly only Irish audiences listened. But mainstream success would not escape a songwriter with Gray’s talent, and soon chart hit after chart hit (‘Please Forgive Me’, ‘Babylon’) snatched mass radio airplay, bolstered by a middle-aged fan base and anyone who liked a ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Although contemporary R&B prefers to align itself with its ruder and more street-credible cousins in hip hop, the roots of its mainstream practitioners lie firmly in manufactured pop. In a throwback to the Motown era, R&B has become a global phenomenon by combining producer-led factory formula with a high level of musical innovation and adventure. This balance of pop ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

While more and more of the mainstream is occupied by heavily manufactured and stylized rock, pop and R&B acts, the emergence of less-demonstrative artists – often from a self-financing small-scale independent background – represents a quiet form of rebellion from the pop norm. The success of mavericks such as Björk and Sinéad O’Connor in the 1990s continues to foster ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The term electric, or electromechanical, organ is used to describe instruments that produce sounds using a dynamo-like system of moving parts – as opposed to electronic organs that employ solid-state electronics. Laurens Hammond In the same way that ‘Hoover’ is used instead of ‘vacuum cleaner’, the very name ‘Hammond’ has become synonymous with electric organs. The Hammond organ was ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Country music has been euphemistically called ‘white man’s blues’ or ‘the poetry of the common man’. While both descriptions have elements of truth, neither is quite accurate. It is, in fact, a broad, nebulous, over-reaching category with no exact boundaries or parameters. Over the decades country music has grown to encompass a greatly varied assortment of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Tenor and soprano saxophone, 1923–90) Dexter Gordon is widely credited as the leading figure in the evolution of bebop on his instrument, the tenor saxophone. The Los Angeles native was influenced initially by stars of the swing era, in particular Lester Young, and went on to adapt many of Charlie Parker’s alto saxophone innovations to the tenor. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1999–present) It was the title track from their third album that brought Gossip and larger-than-life frontwoman Beth Ditto to the world’s attention. The three-piece dance-rock band – the other members being guitarist Brace Paine and drummer Hannah Blilie – released ‘Standing In The Way Of Control’ in 2006, which became an indie anthem. Ditto became something of ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

February Producer Upheaval As producer and friend, Rob Cavallo had been pivotal in Dookie, Insomnia and Nimrod but the band thought change might stimulate their next album and turned to Scott Litt who had been crucial in delivering R.E.M.’s finest work. Litt saw the band perform their first acoustic-only set at Neil Young’s Bridge Street fundraiser ...

Source: Green Day Revealed, by Ian Shirley

Hank Thompson (b. 1925) is one of the most difficult country stars to classify. His Brazos Valley Boys were for a number of years one of the most talented and revered of western-swing bands, yet Thompson was never really a western-swing performer. He recorded a number of songs that remain honky-tonk classics, but he was never just a honky-tonk ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

James Travis Reeves, born in Galloway, Texas, on 20 August 1924, was one of the most talented singers to find his voice and define his musical style during the late 1950s’ emergence of the Nashville sound. Like Eddy Arnold and Ray Price (in his post-honky-tonk years), Reeves possessed a warm, reflective baritone that conveyed warmth and ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1995–present) Iowa-based metallers Slipknot – Corey Taylor (vocals), James Root (guitar), Nathan Jordison (drums), Sean Crahan, Chris Fehn (both percussion), Sid Wilson (DJ), Mick Thompson (guitar), Paul Gray (bass) and Craig Jones (samples) – are literally unrecognizable. When playing or posing for photographs, this nu metal band (very much in the vein of bands like Limp ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1959–1990s) After a few tentative starts, The Country Gentlemen settled on their classic line-up in 1959: Charlie Waller (vocals, guitar, 1935–2004), John Duffey (mandolin, vocals, 1934–96), Eddie Adcock (banjo, vocals, b. 1938) and Tom Gray (bass, b. 1941). They were all great bluegrass pickers, but Duffey’s urban brand of ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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